Théo Hennequin

Théo Hennequin is a Brussels-based graphic designer and visual artist with a conceptually driven practice spanning culture, music and sport. He collaborates with institutions, artists, festivals and collectives, from major museums to independent structures, to articulate distinctive positions across print, digital and motion.

His practice is rooted in the circulation of images and forms between swiss rigour, experimental layering and popular cultures, from the football stand to the mountain trail, using the distance between them as a space for inquiry.


Services

Visual identity, editorial design, motion design, web design, typeface design

Commission

Please contact me so that I can put my skills to work for you.

Collaboration

Currently available on a freelance basis for collaborations.

Contact

hello@theohennequin.com
@theohennequin
Rue Jacques de Lalaing 13, 1040 Brussels

Selected clients

Affenpinshers, Africa Museum, Argos, Entwined, Harlem Lamine, Johan Poezevara, La Bellone, Les Chantiers Battus, Les Îles Mardi, Musique Action Chaumont, Palais de Tokyo, Traumnovelle, Toestand...

About

(SUR)MONTAGE

2026

Client: Les Îles Mardi
Collaborator: Les Îles Mardi
Typography: Inclusive Sans (Olivia King)
Photographies: Johan Poezevara

(SUR)MONTAGE was the collective exhibition of Les Îles Mardi, an artist cooperative and shared studio space in Brussels. It brought together some thirty artists. It traced the association’s evolution and asked a question: how can different practices and aesthetics coexist, how do we build a commons? Its structure reflected the cooperative’s governance: the artists were gathered in small groups, each carrying its own “mini-curation”.

With Les Îles Mardi, we designed the exhibition’s visual identity in the do-it-yourself spirit of the studio. A white surface streaked with brush marks, like a wall painted before the hanging, hosts an inked title with eroded letters. Information is added like reminders: fluorescent yellow notes list the groups of artists. The catalogue extends this system with photographs of the set-up and of the exhibition. (SUR)MONTAGE extends the identity of Les Îles Mardi: the fluorescent yellow, the typography and the dissonance between structure and gesture become exhibition material.